Lee Alexander McQueen is a fashion designer. At the age of 20,McQueen was employed with the designer Koji Tatsuno. A
year later he went to Milan and there he was employed as an assistant designer
with Romeo Gigli. The shows of Alexander McQueen are known for their emotional
power andenergy, as well as the romantic but contemporary
nature of the collections. McQueen put together contrasting elements: fragility and
strength, tradition and modernity, fluidity and severity. He had an openly passionate viewpoint, respecting the arts and crafts tradition. McQueen’s
collections combine athoroughknowledge of bespoke British tailoring, the fine workmanship of French Haute Couture
and the excellentfinish of Italian manufacturing.
In less than 10 years, he became the most
respected fashion designer in the world. McQueen became a chief designer in
October 1996 at the French Haute Couture House Givenchy. His collections
included women’s ready-to-wear, men’s
ready-to-wear and fragrance.
In summer of 1999 he put togethera
fashion show. In this fashion show, he was
inspired from the arts and crafts movement. The fabrics that he used for this
fashion show are: brown leather for the corset,
cream silk lace for theskirtand for the
prosthetic legs he used carved elm wood. In this fashion show he used the
contrast element of the colours of the fabrics, brown that is a dark colour and
the white that is a light colour. In the second dress he usedwhite cotton for the dress and white synthetic
tulle for the under skirt. In this dress, the
muslin was spray- painted. Alexander McQueen did
a lot of fashion shows but one that he did in 2005 was called “It’s not only a game”. A fabulous idea in
this fashion show was to make the runway not like usual but a giant chess
board. In this fashion show the models had to wear puffball miniskirts and Empire waist dresses based on18thcentury stylesthat inspiredMcQueen.
In this fashion show we see some styles like Japanese kimonos, moulded corsets and sci-fi suits that all were connected with the theme of the chess piece.
Again in this show we can see the contrast between the power and vulnerability.
The clothes were from Edwardian children’s wear to embroidered fairground
horses. The designer, from this show explored different types of woman -
Americans face Japanese on the board, redheads are placed opposite Latin
Americans and so forth.
References:
No. 13 | Alexander McQueen: Savage Beauty | The Metropolitan Museum of Art, New York. 2013. No. 13 | Alexander McQueen: Savage Beauty | The Metropolitan Museum of Art, New York. [ONLINE] Available at: http://blog.metmuseum.org/alexandermcqueen/tag/no-13/.
No comments:
Post a Comment